35 Comments
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Kimberly Warner's avatar

I’m feeling like a school girl who didn’t study for an exam. Is this fiction? I want to say it is only because you have a knack for research and detail…and I want to erase this comment now because I’m afraid everyone will read it and think, “That Kimberly isn’t the sharpest tool in the shed.” But please enlighten me anyway!

Adam Nathan's avatar

When I read Moby Dick I remember thinking, “Is this fiction? What is this book? And why are you telling me all of this? Where’s the whale?” I don’t know if this piece is going to work, but where you are is okay.

Kimberly Warner's avatar

😮‍💨

Ben Wakeman's avatar

It took me a beat too, but the name muckraker was just too good not to be fiction!

Adam Nathan's avatar

He was born Noel Rucker.

Susie Mawhinney's avatar

You are not alone.!! I have just read this again to verify if there is anything glaring I’ve missed - of course though, this is Adam.. it is faultless!

So I’m sitting beside you in that blunt tool shed because I still cannot decide…!

Kimberly Warner's avatar

I couldn’t think of anyone I’d rather hang out with in a blunt tool shed than you Susie.😂

Holly Starley's avatar

Same!! But then I remember that I momentarily had that thought at the beginning of Gondolier. Adam Nathan, you are good, my friend! And Kimberly, you are no blunt tool. ;)

Adam Nathan's avatar

She is definitely not a blunt tool.

Julie Gabrielli's avatar

For a story about communication brimming with sub-stories and footnotes and dialogue, this has left me tantalizingly both over- and under-enlightened. How do you do it?

Adam Nathan's avatar

All I can say is: "wtf?" is the right response right now.

Deirdre Lewis's avatar

Those whale sounds always kill me. They contain so many things.

Adam Nathan's avatar

They raise the hair on my arms. It’s almost cheating including them.

Johnathan Reid's avatar

Very clever. Potential to reach a 1938 'War of the Worlds' Orson Welles drama level.

Been a Heathcote Williams fan since the '80s - still trying to evoke their alien, sentient consciousness.

This particular 'fiction ≠ reality' element is closing to null : https://www.csail.mit.edu/news/exploring-mysterious-alphabet-sperm-whales

Adam Nathan's avatar

sending you a note offline. 🤐

Bertus's avatar

Hey Adam, just wanted to drop you a quick note. I saw your self-doubt dive after posting part VII. So recognisable. Just want to let you know I am deeply impressed by the quality of your writing, and the only reason I stopped reading this...eh experience....is that it is too close for comfort. There are several similarities to the novel I am writing at the moment. Nothing worrying, (I think, don’t know yet of course) but I simply refrain from reading anything comparable when I am in the zone....I will dive into this one as soon as I’m done....

Adam Nathan's avatar

Thank you and I get it. Years ago I had a screenplay called Kid Director and I worked evaluating scripts and one came in called Kid Director. First of all kind of freaky, secondly that was the death of that screenplay. Good luck with your work. If you’re still interested, Moby will be here when you’re done. (And I’m sure they’re not actually similar.)

Chris Nathan's avatar

Usually, in the best fiction, you can feel something of the arc of the work while you're traversing it. The end appears ahead of the reader in shadows, but it's there. The mythical archetypes are in us, and they're in the fabric of the story. And those strands talk to each other. We like that! We say "that's a great story" in part because because we already know it. That's why Shakespeare is more true than the New York Times, Heinlein more real than a biology textbook, Frost more authentic than Freud.

In science fiction it gets really amped up. Pick your premise - anything goes! But you still have a sense of the ending, or you wouldn't care. In Adam's extraordinary "100 Stories (Number 5)" you will very much care. Adam delivers on the common promise of all his writing that you'll feel something in spades. In fact, strap in. I recommend you clear your schedule for half an hour and turn off your phone. You are not going to want to do this in pieces. The story is gripping, profoundly disorienting, and unforgettable. In the same way that Moby Dick is not about a whale, Moby - the story of humanity's first successful interspecies dialogue - is not about linguistics. And, while you'll know what's coming, you also won't.

One quick piece of advice which you can really take or leave, but which I think will increase your enjoyment: read each chapter in whole, and then read the associated footnotes whole. Like "Pale Fire", Nabokov's original footnote masterpiece, the notes are their own complementary story. They hold up their own narrative. In my opinion they're necessary, but nothing will be lost if you don't go back and forth from notes to text as you're reading. If you don't like the feeling of passing a footnote reference without checking it then ignore my advice. The story will deliver either way.

Adam Nathan's avatar

🙏❤️

*

What I should do, but I don’t think is possible without massive surgery is to stitch all of the pieces together into a single post. The challenge is that all kinds of things don’t cut and paste (including footnotes.) Everything would have to be restitched by hand. Ugh.

Stephanie Sweeney's avatar

Whew, what a start! I love the way you are making use of artifacts in this, fits perfectly in the groove of the narrator's voice.

<Mary L. Tabor>'s avatar

Oh, Man, Adam, Catching up on you! And look what I've missed Moby Dick with insights that blow like that whale--and the opening sounds had me giggling. Then the writing blows and blows, explodes here. What an idea! I love it. ~ Mary

Adam Nathan's avatar

Thank you , Mary. I feel like I'm chasing Moby Dick trying get this whole thing wrestled down! How well do you know Moby Dick?

<Mary L. Tabor>'s avatar

Pretty well though it has been a while since I've read it.

Adam Nathan's avatar

It's a bit of a tough sled. I won't say anymore for now, but this is really connected to my experience of reading it and there are some non-trivial overlaps.

Lor's avatar

Hey ! up here , yes, that’s me . Just because I’m standing on the roof of the shed with my arms waving, doesn’t mean I’m holding the sharpest instrument 😊

Lor's avatar

I don’t feel so bad about my own ‘ponderings’ after reading other comments .Must be fiction . I may be way off, but as far as I can tell, you’ve done an amazing amount of research to set the scene . I’ve been busy doing what I love, before I ‘dive in’ to the next chapter. I’m nourishing my brain with research. And I can almost feel how you built this story. Brilliantly. A mystery to unfold.The foundation, a Jenga game. Everything must be in its rightful place or the whole story will topple. Well at least that’s how my brain is interpreting this. An exciting start! Call me Ishmael, indeed.

By the way, I know we share a diversified taste in music, have you ever listened to Paul Winter, Whales Alive?

( Paul Winter Consort)

1980s. I’ve seen them in concert a few times, though, not with the whales .🐳

Adam Nathan's avatar

I hope you are right about the first paragraph above. 😃 Otherwise, this is going to be a heck of a lot of work for crickets. There are a bunch of reasons for the feelings you are all having. I sure hope it falls into place later. We shall see.

I will go listen to Paul Winter now.

Lor's avatar

Oh, I’m definitely right…

Susie Mawhinney's avatar

Adam this is phenomenal ! And I still have no idea if it’s fiction or otherwise…

Adam Nathan's avatar

I was just writing in another comment that “wtf?” Is the right place to be.

Deirdre Lewis's avatar

Ha! I loved that you did … and loved too their gravity and importance next to the bits of dialogue between the two humans.

Adam Nathan's avatar

Yeah. Hold that thought.

Holly Starley's avatar

Can’t wait for the next installation!!